The hits and misses of the week.
'Only when I lose the girl, the story moves ahead.'
Trade analyst Vinod Mirani gives us the weekly box office verdict.
The hits and misses of the week.
'Rajesh Pillai was a child at heart, crying at the sight of an injection syringe or making a fuss over the number of pills he was made to pop.'
Deepa Gahlot picks the top 10 Karan Johar films -- some that he directed and others that he produced or co-produced -- that you can watch on steaming platforms.
The hits and misses of the week.
A look at the top tweets from your favourite Bollywood celebrities.
The hits and misses of the week.
Fugly is a trainwreck, says Raja Sen.
Traffic is muddled and lacklustre in its set-up, feels Sukanya Verma.
As late filmmaker Rajesh Pillai's Bollywood film Traffic releases this week, Rediff.com contributor Vijay George reveals what happened behind the cameras.
Bandon Mein Tha Dum is about a team that hits rock-bottom, loses key players, has its global reputation shrink overnight, but despite all the setbacks, pulls off one of the greatest comeback victories in the history of international cricket, applauds Shailesh Karkera.
Darr @ The Mall might be an absolute failure in the horror genre but as a revenge drama, it is refreshingly simple and does manage to pull a few heartstrings at the end of the day.
A look at the top tweets from your favourite Bollywood celebrities.
Here's why Bollywood loves shaadi movies.
'You'll find more wisdom on such matters in a Sara Ali Khan interview,' says Sukanya Verma.
A look at the Holi releases in the past decade.
The heist stretch of the movie is not without imagination, but arriving at that chunk, and sitting through what follows, can be bad for your skin, warns Sreehari Nair.
Here's looking at some popular Bollywood movies shot in Kashmir.
Sukanya Verma salutes the late actor's spectacular cinematic legacy.
'Films will come and go, some will do really well and some will be okay, you have to learn from that and move on. But rest assured, you know one thing: they (audiences) love you, and that's the most important thing. And you love them back, probably twice as much.' Jimmy Sheirgill gets candid.
Bollywood's superstars have tried their hand at con films, and the genre has made quite a bit of money.
'With Tanu Weds Manu, I discovered myself.'
Favourite movie homes, comparing Amitabh-Shashi's beds in Kabhi Kabhie and discovering the truth about Salman Khan's 1990s chartbuster... All in Sukanya Verma's Super Filmi Week.
'Apart from being total eye-candies, Saif and Shahid are very good actors. Saif is that classy man, who would open the door for you and pull chairs for you. Shahid would come to the sets with headphones on. He had a boyish charm.' Kangana Ranaut gets in Rangoon mode.
Tanu Weds Manu Returns is not merely superior to its predecessor but the flamboyance and fun it provides is an implication we're not quite done with this mad duo and their quirky universe yet.
Besides the five Indian films that are playing at the Toronto International Film Festival this year -- a rather large collection at an international film festival, says Aseem Chhabra -- there are more films with an Indian connect.
'You walk out of Mukkabaaz feeling good about yourself, but unlike Kashyap's best pictures, it releases you from the responsibility of seeing yourself in it; the movie is darn clever, most of the way, but it hardly has any wisdom,' says Sreehari Nair.
A worse official remake of an already bad original, Bang Bang is more noise and less sound, rants Paloma Sharma.
Actor R Madhavan, who turns 45 today, talks about the success of his latest film.
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